CanaryKnits Indie Designer Profile 10/30/09
Labels: Press
Welcome to the Seaside Knitting Patterns blog! Here you will find tips on Seaside Knitting pattern construction, notions, knitting techniques, yarns, and the occasional yippe (!) when I’m thrilled with the way a project has turned out. For additional information about Seaside Knitting Patterns, please click on the Portfolio picture or visit http://www.seasideknittingpatterns.com
Labels: Press
Labels: Ballybrae Fingerless Gloves
Labels: Ballybrae Fingerless Gloves, Knitting Tips, Works in Progress
Labels: Knitting Tips, Pattern Books, Raynaud's disease, Yarn
Labels: Free Patterns, Pinwheel Coasters
Labels: Free Patterns, Gentle Breeze Gloves
So on Monday of this week, I received in the mail a “no, thank you” from Christmas Crafts Co-op, the organization that runs the Harvard Square Holiday Fair.
That got me thinking again. What exactly is the direction that I want my business to go in? What is my brand, and how can I understand it in order to better communicate with more customers?
I love creating patterns, and I love knitting. But I’m not a volume knitter. Nor do I produce a high volume of inexpensive items on a regular basis. I am a beauty broker, and I offer my customers a custom experience when they order my knitwear and patterns.
It is probably a good thing that I was not able to book a spot at the Holiday Fair, as I don’t think I would have been able to produce the volume of items needed to sell to the general public over several days. Many of my patterns take time to knit, like the Winter Solstice Cuffs, for example. And the price point ends up being so high, after materials and labor, that I might have been quite unsuccessful at a crafts fair.
Of late, I’ve been thinking similar thoughts about my Etsy Shop. I need to increase the volume of items listed. I sell patterns there, and with 11 patterns already listed, I feel good about my business in that area. However, I should increase my Ready-to-Wear lot. I bet people would come around a bit more if they saw garments that could be shipped right away, rather than just custom Knit-to-Order listings.
My success on Ravelry.com has been quite good. I have sold many patterns, and quite a few folks have begun projects using my work. As a business woman. this has been very satisfying, and, as a knitter, it has been really nice to share my love of handiwork with others.
The question is really who I am - my brand - and how I can understand and communicate it to my customers in order to increase sales.
I have submitted several patterns to Interweave Knits and Creative Knitting, but none have yet to be accepted. These may or may not be the appropriate venues for my designs; there are many knitting magazines out there that accept submissions. I am not deterred. We’ll see what happens with my winter Knitty submission in the coming months. I think that patterns are my business’ strength, so I will continue to concentrate on getting them out there.
At present, my goal is to publish a book of knitting patterns with a publishing house. That would be fantastic. What I need to do is figure out exactly what my knitting niche is - my brand - so that I can communicate this through a winning proposal!
This is my favorite pair of mittens. I’ve had them for 15 years, and they have been my constant companion. I’ve repaired them several times, and they are once again in need of fixing.
I bought them on a trip to Helsinki, Finland, in the spring of 1994. At the time, I was an exchange student at the University of Bergen (Universitetet i Bergen) studying Folklore.
During spring break in March, a fellow American and I decided to go to St. Petersburg. We took the train to Oslo, then Stockholm, took a boat to Turku, and on to Helsinki on another train. Our journey was long, but worth it. After a stay in Helsinki, we travelled on to St. Petersburg by train, stopping once to change tracks (as the tracks are different widths on either side of the Finland/Russia border).
While in Helsinki, we visited a small shop that sold hand-knit gloves, hats, scarves, and the like. Unfortunately, I no longer remember the name, but I remember the shop being near the Lutheran Cathedral. I found my mittens there, and at the time, I did not know that the motifs on the mittens were Latvian.
After retuning from my studies in Norway, and while in graduate school at Indiana University, I purchased the book Latvian Mittens by Lizbeth Upitis in 1997. I had become quite an avid knitter by that time, and I kept myself busy through Indiana’s winters knitting big and small projects. While looking through Ms. Upitis’ book, I found a pair of mittens depicted which are almost identical to the ones I purchased in Helsinki: Kurzeme, Liepajas (see picture below). It looks like the knitter who made my mittens omitted a portion of the pattern and used a different cast-on.
In 1997, I also began knitting another pair of mittens in Ms. Upitis’ book: Kurzeme, Susjas (see pictures at the bottom).
As my wonderful mittens have become thread-bare in several places, I have also thought about knitting another pair of them from the instructions in Latvian Mittens. There is a graph for my mittens (109) on page 82. The mittens I bought were knit with cotton or a cotton blend. The colors are vibrant and they have not really pilled at all. I’m thinking to use KnitPicks’ Palette fingering yarn, as they have so many colors, and the yarn is 100% wool and fairly soft. Ms. Upitis recommends using wool yarn. This will be an experiment, but one I look forward to. I’ll post the progress and results as I undertake the project.
Cheers!
Labels: Folklore and Knitting, Knitting Tips, Works in Progress
Bear Brand - Bucilla made wonderful 1930s and 1940s fashions as well.
The pamphlet on the left is dedicated to Gloves and Mittens (volume 19, 1944) and the one on the right (volume 310) includes designs for women, men, children, and pets (see bottom):
Labels: Knitting Tips, Pattern Books, Yarn
One of my favorite vintage pattern books is the Pictorial Review: Book of Crocheting and Knitting.
The photographs are so elegant and stylized, and I just want to knit and be adorned in their knitwear.
Pictorial Review
Book of Crocheting and Knitting
Number Nine
Labels: Knitting Tips, Pattern Books, Yarn
I learned to knit while I was an exchange student at the University of Bergen (Universitetet i Bergen). Little did I know that knitting, like Folklore, would become a pursuit close to my heart.
I came from the University of California, Berkeley, where I was an Anthropology major and has studied with many wonderful professors, namely Alan Dundes and Jim Deetz. In Bergen, I had the fortune of studying with Bente Alver and Torunn Selberg.
After returning from the University of Bergen and finishing my studies at Cal, I went on to graduate school at the Folklore Institute at Indiana University. I owe a professional and personal debt of gratitude to my professors there and in the Nordic countries - Henry Glassie, Beverly Stoltje, Warren Roberts, Dick Bauman, Barbro Klein, Perti Antonen, and Stein Roar Mathisen - for inspiring me toward that which I love.
It was at Indiana University that I solidified my love of the study of traditional handicraft and textile arts. I focused my attention once again on Scandinavia, completing a dissertation that featured the work and words of Sami handicraft artists: Sami Artistry, Identity, and Indigenism in Museums and Markets. I owe that same debt of gratitude to the artists I met in Sapmi - Lars Pirak, Helge Sunna, Lisbeth Kielatis, Sara Walkeapaa, Thomas Magnusson. Their commitment to artistry and personal truth has continued to move and inspire me.
It was definitely through my studies, and also through the moments I spent not studying, that I found my passion in knitting. Knitting is itself a form of folklore. But for me it has become so much more.
Labels: Folklore and Knitting
Become a Fan of Seaside Knitting Patterns on Facebook:
http://www.facebook.com/pages/Seaside-Knitting-Patterns/155820873144?ref=ts
Labels: Textile and Art Appreciation
Fellow Ravelry.com knitter gertrudskein suggested the following alteration for the Box-Pleat Top pattern:
“I did a tubular cast-on on US1 Addis (which are the bigger kid of US1) and two rows of 1x1 rib to prevent curling.”
Thanks gertrudskein for a great suggestion!!
Labels: Box-Pleat Top
Check out a red version of the Ballybrae Soft Clutch on Witty Knitty:
http://reyrae.livejournal.com/18145.html
Labels: Ballybrae Soft Clutch
Along with pattern books from Bear Brand - Bucilla are those from Corticelli.
This company offered yarns and fabrics, and their pattern books are lovely to look through.
I purchase old pattern books and pamphlets from eBay and other dedicated vintage knitting pattern sites.
Labels: Knitting Tips, Pattern Books, Yarn
I was inspired by the cloches of the 1920s for the Bee’s Knees Cloche. The knitwear of the early 20th century often featured an interesting decoration or accent.
I’m keen on garments that have unexpected features, but that are simple to construct. The Bee’s Knees Cloche is simple to knit - double moss and stockinette stitches - but offers a nice twist (literally) on the band.
The mock bow construction and body shaping are shown below:
Labels: Bee's Knees Cloche
(Originally posted Wednesday, September 23, 2009)
For the last several weeks, I’ve been dreaming of shoes - shoes (and boots) with knitted uppers. Not slippers. Chic footwear with heels!!!! That’s what I want to make.
And today, I received in the mail a great book: “Make Your Own Shoes” by Mary Wales Loomis. She takes you through all of the steps of making your own shoes (as the title suggests). But what really impressed me as I looked through it was her clarity and attention to step-by-step instructions.
I’m really looking forward to getting started on my first pair of shoes. I’m expecting it to be a challenge. But a fun one.
If you want to check out her book, or buy a copy, go to her website
http://www.marywalesloomis.com/